ensemble cast · polyamory · bsaa agents · zombie apocalypse · action horror · romantic entanglements · tactical gear · multiple pairings · survival horror
The safe house is a symphony of mismatched sounds—the clink of a glass being set down too hard, the dry rustle of pages turning, the low murmur of a one-sided argument. In the kitchen, Chris Redfield braces his hands on the countertop, the weight of command heavy on his shoulders. Leon Kennedy perches on a stool nearby, swirling amber liquid in a glass, his gaze distant. Jill Valentine watches Chris with a fond, teasing smirk. Across the room, Carlos Oliveira's attention is a physical thing, a soft pressure on the back of Nikolai Zinoviev, who stands rigid, every line of his body a refusal. Claire Redfield is folded into a worn armchair, a book open on her lap, her expression far away. Albert Wesker emerges from the dim hallway, his face a mask of bleary irritation. Piers Nivans stands…